What was transplanted into the dog in the movie Heart of a Dog? - briefly
In the movie "Heart of a Dog," a human heart was transplanted into a stray dog. This dramatic procedure was part of a controversial experiment conducted by a scientist.
What was transplanted into the dog in the movie Heart of a Dog? - in detail
The film "Heart of a Dog" is a 1988 Soviet science fiction drama directed by Vladimir Bortko. The movie is based on the short story of the same name by Mikhail Bulgakov. The central plot revolves around a groundbreaking medical experiment involving a dog named Sharik.
In the narrative, the protagonist, Professor Philip Philippovich Preobrazhensky, is a renowned surgeon who specializes in experimental medicine. His ambition is to push the boundaries of medical science by attempting a complex surgical procedure. The procedure involves the transplantation of human organs into an animal, specifically a dog named Sharik.
The most significant aspect of the experiment is the transplantation of a human pituitary gland into Sharik. The pituitary gland is a small, pea-sized gland located at the base of the brain, which produces hormones that regulate various physiological processes in the body. By transplanting a human pituitary gland into Sharik, Professor Preobrazhensky aims to observe the effects of human hormones on the dog's physiology and behavior.
Additionally, the professor also transplants a human testicle into Sharik. This part of the experiment is intended to further explore the potential for human-animal hybridization and the implications of such procedures on the animal's development and behavior. The combination of these transplants is meant to induce significant changes in Sharik's physical appearance and cognitive abilities.
The surgical procedure is meticulously planned and executed by Professor Preobrazhensky and his assistant, Dr. Bormenthal. The operation is depicted as highly complex and risky, reflecting the advanced medical techniques of the time. The success of the procedure leads to dramatic transformations in Sharik, who begins to exhibit human-like characteristics and behaviors.
The film delves into the ethical and moral implications of such experimental procedures, raising questions about the boundaries of scientific research and the potential consequences of meddling with nature. The transformation of Sharik into a more human-like being serves as a catalyst for exploring themes of identity, humanity, and the responsibilities of scientists in pushing the limits of medical innovation. The narrative underscores the potential dangers and ethical dilemmas that arise when science ventures into uncharted territories, particularly when it involves the manipulation of living organisms.